‘The Door To Paradise’ featured by ArkivMusic

We are delighted that ArkivMusic are currently featuring one of the choir’s recent releases, The Door To Paradise. Greetings and thanks to our many kind friends and supporters in North America!

Please see the ArkivMusic website for further details.

The Door to Paradise celebrates Stephen Darlington’s legacy as Director of Music at Christ Church and brings together all five volumes of the choir’s recordings of works from the Eton Choirbook, a collection of English sacred music from the early Renaissance. The title of this release derives from a dual meaning: the “door to paradise” is the English translation of a line from John Browne’s setting of O regina mundi clara, while the cover image of the box-set features the “Alice Door” between the Deanery and Cathedral Gardens of Christ Church, featured in Lewis Carroll’s Alice’s Adventures in Wonderland.

Five Lay Clerk Vacancies in Christ Church Cathedral Choir

We are seeking to appoint five Lay Clerks in Christ Church Cathedral Choir:

One Tenor Lay Clerk from May 2019 or as soon thereafter as possible
One Bass Lay Clerk from September 2019
Two Alto Lay Clerks for the academic year 2019-20
One Bass Lay Clerk for the academic year 2019-20

Please see the Application Packs for further particulars of these posts and for information on how to apply.

If you have any queries please email Ms Florence Maskell, PA to Professor Steven Grahl (florence.maskell@chch.ox.ac.uk).

Closing date for applications: 12 noon on Tuesday 26 February 2019

Provisional interview dates: Tuesday 12 and Wednesday 13 March 2019

Downloads

All Souls’ Day Service

The Cathedral will be holding its annual All Souls’ Day service at 6pm on Friday 2 November.  All are most welcome to this Eucharist, at which we think especially of loved ones who have died.  The Cathedral Choir will sing Fauré’s Requiem, accompanied by a chamber orchestra, The Wolsey Ensemble, under the direction of Steven Grahl.

Cathedral Choir recording of Howard Goodall’s ‘Invictus: A Passion’ released

On 31st August the premiere recording of Howard Goodall’s Invictus: A Passion was released on The Sixteen’s record label, CORO Connections, performed by the Choir of Christ Church Cathedral, with the Lanyer Ensemble and soloists from The Sixteen, conducted by Stephen Darlington.

A track from the album was played on Classic FM on John Suchet’s show on Friday 31st August – after the broadcast you can listen again via the Classic FM website.

The work is a contemporary reflection on the themes of the traditional Christian Passion story with particular attention to the role and perspective of women. Poems by various authors are interwoven with the 1611 verse narrative of the biblical Passion by Æmelia Lanyer née Bassano, one of the first books published in the English language by a female poet. Interspersing extracts of her long-form poem are texts from various periods of historic turmoil, written or inspired by women which eloquently portray humility in the face of tyranny. These texts include Gethsemane by Ella Wheeler Wilcox, Mary Magdalene and the Other Mary by Christina Georgina Rossetti and Slave Auction by Ellen Watkins Harper.

The themes that run through the work – persecution of the innocent, malevolent authority exerting itself against ideas that threaten and challenge, the redemptive power of love, and the resilience of the human spirit – hold profound universal resonance.
Goodall said: “In writing a setting of the Passion story, in the 21st century, I felt it important to look at its ideas, its format and its message afresh…to reflect musically on what this story has to tell us, now.”

The 55-minute, nine-movement work is scored for soprano solo, tenor solo, SATB choir and an unusually configured chamber orchestra of double (antiphonal) string quartet, bass, piano, horns and soprano saxophone. Invictus: A Passion was commissioned by St Luke’s Friends of Music for the Chancel Choir of St Luke’s United Methodist Church, Houston, Texas, Sid Davis, Director of Music and Fine Arts.

Invictus: A Passion is the second collaboration between CORO Connections and Christ Church Cathedral Choir. The relationship began in 2016 with the acclaimed release of Francesco Durante’s Requiem (COR16147) performed by Christ Church Cathedral Choir, Oxford Baroque, Soloists from The Sixteen and conducted by Stephen Darlington.

The album can be purchased online here, and from The Sixteen’s shop, and in all good music shops, and can also be streamed online.

Farewell to Stephen Darlington – interview in Oxford Mail

We were delighted that the Oxford Mail visited us to interview Stephen Darlington on the occasion of his retirement. James Roberts of the Oxford Mail writes:

One of Britain’s best known choral conductors, who directed the theme music for The Vicar of Dibley, is retiring from his job in Oxford after 33 years.

Professor Stephen Darlington has been Christ Church Cathedral organist since 1985 but is retiring this summer, with a series of events marking his departure.

The cathedral choir has gained international recognition under Professor Darlington, including performing the music for the BBC comedy.

In recent years the conductor has helped establish the Christ Church Cathedral Music Trust, which offers scholarships to choristers to ensure the choir continues to attract the best voices.

The conductor, 66, has spent half his life as Christ Church organist and admits it will be hard to say goodbye.

He said: “When you take on a job at that age you don’t think how long you’re going to stay somewhere.

“But there are certain moments you realise you’re conducting in Christ Church for the last time.”

In addition to overseeing the cathedral choir, Professor Darlington is Christ Church’s director of music and is in charge of academic music.

The choir has become renowned for its quality and variety and Professor Darlington revealed this was his aim from the start.

He said: “I’ve tried to commission a lot of types of music from different composers.

“The great thing about working with young people is that they haven’t got the established prejudices that one develops when you get older.

“They don’t have the feeling that there’s one way of approaching music making.”

Professor Darlington’s passion for young voices was one reason he helped spearhead the cathedral’s music trust, which is more than halfway to its £13m target.

The trust funds up to 100 per cent of school fees, including the £63,500 Stephen Darlington Organ Scholarship.

Professor Darlington said: “The object is to create the opportunity for music making accessible to all.”

One of Professor Darlington’s more unusual projects was recording The Vicar of Dibley’s theme music with Howard Goodall, who also composed the themes to Mr Bean and Blackadder.

The pair, both former Christ Church undergraduates, are good friends and as a result Professor Darlington’s choir was asked to perform the sitcom’s soundtrack.

It is one of many reasons the cathedral is honouring Professor Darlington by holding special events.

Concerts were held on Friday and last night, while a celebratory Evensong at 6pm on Saturday sees the conductor take his final bow.

The service is open to the public and will be attended by former pupils and singers to give Professor Darlington the best possible send-off.

He said: “I think they’re very likely to raise the roof.”

Please click here for the online version of this article.

BBC Choral Evensong at Christ Church Cathedral

On Wednesday 20 June the BBC were with us at Christ Church to record Choral Evensong from Christ Church Cathedral.

The service was broadcast live on BBC Radio 3 in their weekly Wednesday afternoon slot, with the choir conducted by our Director of Music, Stephen Darlington, and organ playing by Sub-Organist Clive Driskill-Smith. The full music list is available below:

Responses: Byrd
Psalm 104 (Hawes, Martin)
First Lesson: Isaiah 5 vv.8-24
Canticles: St Paul’s Service (Howells)
Second Lesson: James 1 vv.17-25
Anthem: The Twelve (Walton)
Voluntary: Toccata quinta (Frescobaldi)

If you missed out on hearing the live broadcast, or would like to listen again, the service will be repeated on BBC Radio 3 this Sunday at 3pm, and will be available to listen to on BBC iPlayer for a further month.

BBC Radio 3’s Choral Evensong is the BBC’s longest-running outside broadcast, and will mark 92 years of outside broadcasting this autumn. Its enduring popularity is reflected in the fact that it is one of the most frequently requested programmes on the Listen Again service on the BBC Radio 3 website, which, combined with listeners tuning in live on Wednesday and Sunday, means that around 250,000 tune in each week.

Göttingen Handel Festival

The Cathedral Choir have just returned from the famous Göttingen Handel Festival where they gave two concerts, the second of which was conducted by Christ Church alumnus Laurence Cummings. This spectacular concert consisted of performances of Handel’s Choice of Hercules and the Dettingen Te Deum with magnificent soloists and the wonderful Göttingen Festival Orchestra, one of the outstanding Baroque orchestras of our time.  Both of the choir’s concerts received standing ovations and glowing reviews.

Please see the links below for photos, reviews, and further details:

Review of concert in Duderstadt

Review of concert in Göttingen

Göttingen Handel Festival Facebook page

Review of concert at Saint Thomas Church, Fifth Avenue, New York

We were delighted to spot this glowing review of the choir’s recent performance at Saint Thomas Church, Fifth Avenue, New York!

I must admit that Christ Church Cathedral Choir–performing at New York’s St. Thomas Church 5th Avenue last week to kick off a final tour with retiring Music Director and conductor Stephen Darlington–knocked my socks off with the first part of its program.

The men and boys of the choir–a 500-year-old institution founded in Oxford, UK, numbering just 27 voices–not only filled every inch of St. Thomas with amazing sound, as if they were many times that number, but performed the first half the program of British choral masterpieces a capella, and did so without a hitch.

These works included alternated works by John Sheppard (c. 1515-1558) and William Byrd (c. 1540-1643), with a solo for organ by Buxtehude thrown in for good measure. The pure sound of the choristers–soaring here, haunting there–was breathtaking, most spectacularly in the selections from Byrd’s four-part “Mass for Four Voices,” dating from 1592, an extraordinary example of English renaissance music from the time of the Tudors, ie, specifically the age of Elizabeth I.

According to the program, this was the kind of music performed in Catholic houses, against the edicts of the English Church (thus, it was published secretly and without title pages). The four-part composition was divided in three sections (the Kyrie and Gloria, then the Sanctus and Benedictus, and, last, and perhaps most formidable, the Agnus Dei) and shows the composer’s significant dramatic range. With no musical ensemble to hide behind, the chorus’s work was completely exposed and, under Darlington, came across as vigorous, yet brilliantly expressive.

The second half of the concert was filled with what might be called “crowd pleasers”: in particular, works by Purcell and Handel. I was particularly taken with an unfamiliar (to me at least) Handel, “Zadok the Priest,” an anthem composed for the coronation of King George II in 1727, which has since been sung at the coronation of every British monarch and is known as a British patriotic anthem. It seemed an unusual choice for non-Anglophiles, like myself; but in this assured performance, it was simple, yet powerful.

As if to say, “Now for something completely different,” the choir ended the concert with “Love is here to stay” (also known as “Our love is here to stay”), written by the Gershwins for “The Goldwyn Follies.” It was the last song written by George Gershwin before his death in 1937 and, here once again, the purity of the choristers’ voices gave the music a very special, lovely quality that I’ve never heard before.

Music Director Darlington–in this case, the title means chief organist of Christ Church Cathedral as well as conductor–has commented that anyone who hears the choir “senses that every member is singing from the heart.” That was certainly the case at the St. Thomas concert, which was a fitting sendoff for one of the UK’s leading choral conductors.

Richard Sasanow, BWW, 11 April 2018

Please click here to see the review on the BWW website.

Day 8: Hosanna to the (David)son of David(son)

Our eighth day on tour dawned gloriously, not least because there was nothing in particular to rise for and Sam and I were therefore able to enjoy a much-needed lie-in. After eventually making our way into Davidson with an Uber, Sam unfortunately immediately discovered that he had forgotten all his concert clothing. Ten minutes later, I realised that I had left my gown at home, so we got another taxi (a Lyft this time) straight back to pick up all our belongings, before eventually returning to join other members of the choir at Summit Coffee a mere hour after we had originally arrived in the town centre. We’d been to Summit on a previous tour, but I was pleased to see that they’d added such beverages as a ‘Red-Eye’ (filter coffee with an extra shot of espresso, because obviously we all need that) and a ‘Glacier Gulp’ (chocolate milkshake with espresso, because, again, of course). We had a very pleasant stroll round the extensive grounds of Davidson College – Will Anderson was in charge of navigating, and offered such helpful directions as ‘so the football ground must be…over there!’ (pointing directly at the goalposts a few metres away). We also found a swing, several exciting sculptures, and a wide concrete area which turned out to be absolutely perfect for playing Doris-Ball – do watch the video for Ed’s guide to how to play this unique game at home.

As ever, it was soon time to rehearse for the evening’s concert in the spacious surroundings of Davidson College Presbyterian Church, for which we were joined by around 150 local singers for some items in the programme. Stephen seemed very pleased with the sound of the massed forces – especially the music which also contained parts for brass players! After a hearty supper of meatloaf, a lot of vegetables (we’ve discovered on tour in the USA that it is very important to vegetables wherever you can), cobbler and cake (equally imperative) we returned to dress for the concert, at which point laid-back lay clerk Tom Lowen discovered that he had forgotten his black trousers. An announcement duly went out to the audience, and an anonymous female donor very kindly offered him the use of her spare pair of slacks – amazingly he managed to make them fit (as it were), although they did give him a flared look which is yet to come back into fashion in 2018. Thus attired, we sang the concert to a large and appreciative audience – this was the first time we’d performed Howard Goodall’s Sure of the sky on tour (having recorded it last month) which some attendees clearly found particularly moving. We concluded the evening by retiring to a local hostelry with some other millennial Davidson residents, which we thought would prepare us well for our 5.30am wake-up the next morning.

Day 10 and Day 11: Chicago

 

Day 10 began, for most of the boys, at home with local families who had so generously offered to help host the choir. The small band who had found their way to a distant Marriott hotel met the rest of the group at Emmannuel Church, before travelling downtown to visit the Willis (formerly Sears) Tower. The choristers proved themselves surprisingly well-informed on the subject of supertall buildings, but knowing this was the 16th-tallest building on earth didn’t prepare them for quite how impressive it was. After a brisk, ear-popping elevator ride we emerged on the Skydeck at the top of the tower, where the boys took turns stepping into terrifying glass boxes that hung from the side of the building.

After ransacking the gift shop we made our way to Portillo’s, a temple to kitsch Americana complete with neon signs, checkered table cloths, and (legend has it) the best hot-dogs in the Mid-West. The obliging staff whipped up a fresh batch of frozen custard for us, which revived the boys in readiness for the afternoon’s rehearsal back at Emmanuel. This beautiful building has just earned a spot on the National Register of Historic Places, and – with its soaring roof and striking stained glass – could easily pass for a cathedral. The packed audience couldn’t have given us a warmer welcome, and the choir was delighted to complete a clean sweep of standing ovations in the US (or should that be ‘ovations standing’?).

After dispersing to homestays the choristers reconvened on Day 11 at the Marriott Hotel in Burr Ridge. The unbelievably generous (and rather brave) staff had offered us the use of the hotel pool, which given the chilly rain outside was the perfect solution for our final morning. As I write, the boys are taking a brief rest in front of the TV and anticipating the arrival of the largest amount of takeout Chinese food ever ordered by man. We’re very grateful to George Tarasuk at Emmanuel for hosting us in Chicago, and to the brilliant staff at the Marriott for looking after us so kindly whilst wait for our flight home. A little light singing in the lobby (above) was the least we could do to say thank you.